Showing posts with label prints. Show all posts
Showing posts with label prints. Show all posts

Thursday, May 1, 2008

Views of Florence Online Exhibition

Just in time for those summerschool courses in Italian Art and Architecture (at least those starting in early summer) comes an online exhibition by the Kunsthistorisches Institut in Florenz. Views of Florence from the print collection of the Photothek runs April 28, 2008 ­to July 6, 2008. The Institut describes it as follows:
The online exhibition focuses on “Florentine Views”, which represent the largest group by far within this heterogeneous collection. The exhibition is structured by subject. It begins with a range of views which clearly illustrate the changes as well as the constants in the visual appearance of the city between the 15th century and the 19th century. The exhibition includes a copy from 1758 after the famous Florentine chain map (created around 1485, now in the Museum of Prints and Drawings (Kupferstichkabinett) in Berlin), which was adapted in many later views of the city.
The city maps allow a differentiated view over the city and its monuments, documenting the urban growth of Florence over more than 300 years. Stefano Bonsignori’s map from 1584 uses an axonometric perspective to provide both accurate views of the buildings and the exact route of the roads.
Particularly numerous are the 19th century maps, which illustrate the urban development of the city.
The following sections of the exhibition deal with architectural ensembles such as the cathedral complex, the squares, the palaces, the bridges and the gardens. Several plates document the condition of Florence Cathedral before completion of the neogothic front in 1887. Our prints also include a bequeathed view of the rchitecture of the San Pier Maggiore church, which was demolished in 1783. This demonstrates the special source value of the collection.
The last section of the online exhibition is dedicated to “historical events” and provides a brief excursus on the use of print media in the context of the Italian unification movement of the 19th century.
With the digitalisation of its print inventory, the photo library of the Kunsthistorisches Institute has not only made this resource accessible to online users but at the same time also taken a first step towards the academic study of this important partial collection.
The next online exhibition by the photo library opens on July 7, 2008 and is devoted to the mediaeval art of Georgia.

Enjoy!

Friday, April 27, 2007

Image Resources Online at Library of Congress

The Library of Congress has loads of amazing images online, and is adding more regularly (see Exhibitions page). Here are just a few of the many to consider when putting together courses.

The Empire That Was Russia: The Prokudin-Gorskii Photographic Record Recreated is an amazing collection of early twentieth-century color photographs from Czarist Russia. Prokudin-Gorskii traveled all over the empire photographing its inhabitants using a system of three cameras with separate filters. This would be great for use in history of photography courses and for Russian art.

Online exhibition on Leonardo's Study for Adoration of the Magi.

Arthur Szyk: Artist for Freedom. Work by a Jewish antifascist cartoonist and miniaturist, mostly around the time of World War II.

The Floating World of Ukiyo-E: Shadows, Dreams, and Substance. "This exhibition showcases the Library's spectacular holdings of Japanese prints, books, and drawings from the 17th to the 19th centuries. These works are complemented by related works from the Library's collections created by Japanese and Westerns artists into the 20th century."

Frank Lloyd Wright: Designs for an American Landscape, 1922-1932.

A Heavenly Craft: The Woodcut in Early Printed Books.

The Work of Charles and Ray Eames: A Legacy of Invention. Showcases the designs of this legendary team. Lots of images.

Life of the People: Realist Prints and Drawings from the Ben and Beatrice Goldstein Collection, 1912-1948. Includes works by Sloan, Benton, and other American artists of the first half of the twentieth century. This would make a good supplement to Frances Pohl's Framing America text.

The Library of Congress has many more exhibitions, plus images such as early photographs and daguerreotypes, early sheet music covers, and so forth.